Utambi Shinbun

Opinion Article
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Utambi General Archive

Warning: this article is intentionally exaggerated and was written in a humorous tone. My anger is pretend and its sole purpose is to make readers laugh. Do not take my words seriously.

Happy International Sin Day!
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I confess, without shame and with an ironic smile, that few things in this world have seduced me as much as desserts. It is not sin that torments me, but the hypocrisy of those who condemn it with their mouths full of frosting.

On the joyful occasion of World Baking Day, I find myself irresistibly compelled to defend a timeless hedonism, so often vilified by severe souls who see in a simple chocolate cake a moral threat.


Pastry-making, that delicate alchemy which transforms the humblest ingredients into celestial delights, possesses a profoundly human quality: it consoles. A cake is not merely a dessert—it is an act of tenderness. A sponge shared among familial laughter, a tray of cupcakes baked with love, a tiramisu savored in melancholic silence, all bear witness that the soul, too, must be fed.

From the most opulent weddings to the humblest childhood snacks, sweets have earned a place in the memories that truly matter. Around a sugared table, bonds are strengthened, stories are told, affections are passed on. In this context, pastry rises above the merely culinary to become a universal language.

And why call it sin?

Ah, the irony. In these times of monitored excesses and guilty pleasures, I have noticed with delight how some, upon seeing a slice of chocolate cake, cross themselves with greater horror than at a blasphemy. They call it an unforgivable sin, but I, naturally, beg to differ. If the physician has issued no restrictive edicts, it is only logical to surrender—at least from time to time—to that dark temptation that is molten chocolate.

Pastry demands no penance. On the contrary, it rewards. I celebrate this day, then, as a tribute to the sweetness the world refuses to offer us freely.

Chocolate Cake: A Hymn to Joy

Few human creations are as universal as chocolate cake. Its aroma intoxicates, its texture comforts, its profound flavor awakens dormant memories. This dessert is more than a delight—it is an evocation. The precise blend of sweet and bitter, a legacy of noble cacao, allows each bite to be an aesthetic and emotional experience.

From the most austere versions to the most opulent, chocolate cake has served as the ambassador of celebrations, a symbol of affection and, of course, an instrument of pleasure. Its global success is no accident but the result of a precise alchemy between flavor and emotion.

Tiramisu: An Italian Whisper to the Soul

Originating in northern Italy, tiramisu does not conquer with clamor but with subtlety. Its layers of sponge soaked in coffee, its ethereal mascarpone cream, its delicate dusting of cocoa—everything in it is crafted to provoke an inner emotion. It is a dessert that does not shout; it whispers. And in that whisper lies its power.

It adapts gracefully to any occasion, from banquets to casual encounters. Light in appearance, yet profound in flavor, tiramisu does not ask for attention—it deserves it. It has crossed continents not as an invader, but as a welcome guest.

Cupcakes and Their Kin: The Aesthetics of Desire

In this modern catalog of sweets, cupcakes (magdalenas, muffins, or madeleines) hold a singular place. They are not merely desserts—they are edible canvases. The cupcake, in particular, has been elevated to a cult object: individual, adorned, perfect to be desired before it is tasted.

Its success lies not only in presentation but in its promise: a small, personal pleasure, with no need for excuses. It has managed to adapt to the times, blending tradition with modernity, until it has become an emblem of a pastry-making that does not apologize for being beautiful.

Columnist's Opinion

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There is no sin in surrendering to a dessert if, in that act, life is honored. In a world that punishes joy and rewards abstinence, raising the spoon may well be an act of positive rebellion.